SKU: 19892155861
philodendron gold violin

philodendron gold violin Philodendron bipennifolium 'Golden Violin' – Foliage Factory

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Description

philodendron gold violin Philodendron bipennifolium 'Golden Violin' – Foliage FactoryPhilodendron bipennifolium Golden Violin Philodendron bipennifolium Golden Violin has yellow green leaves on a climbing stem, with mature blades developing the violin like outline associated with the species. Young leaves often start simpler, then the blade can narrow through the middle and form stronger lobing with age. Philodendron bipennifolium is a variable species, and mature leaves may become panduriform, hastate or lobed as the plant develops.

Philodendron bipennifolium ‘Golden Violin’

Philodendron bipennifolium ‘Golden Violin’ has yellow-green leaves on a climbing stem, with mature blades developing the violin-like outline associated with the species. Young leaves often start simpler, then the blade can narrow through the middle and form stronger lobing with age.

Philodendron bipennifolium is a variable species, and mature leaves may become panduriform, hastate or lobed as the plant develops. In Philodendron ‘Golden Violin’, the yellow-green colour shows on young growth, while the mature blade shape becomes clearer as the plant climbs and ages.

Philodendron ‘Golden Violin’ colour and leaf shape

  • Colour: Bright golden to chartreuse leaves, especially noticeable on fresh and well-grown growth.
  • Leaf shape: Mature blades can develop the violin-like outline associated with Philodendron bipennifolium.
  • Species background: The species is native from southern Venezuela to northern and eastern Brazil, with Suriname included in its documented range.
  • Growth habit: A climbing Philodendron from the wet tropical biome.

Philodendron ‘Golden Violin’ mature leaf development

Philodendron bipennifolium was published by Schott in 1855. Mature leaves can narrow through the centre before widening again near the upper section, creating the violin-like shape seen in well-developed plants.

A young Philodendron ‘Golden Violin’ may not show the full violin outline immediately. As the plant matures, a climbing stem can produce larger blades with a clearer waist, more pronounced lobing and a stronger contrast between juvenile and adult leaves.

Philodendron ‘Golden Violin’ climbing and leaf care

  • Support: Add a pole or plank before the vine becomes long. A climbing surface helps mature leaf shape develop more clearly.
  • Light: Bright filtered light supports compact growth and helps the plant build enough energy for larger mature leaves. Avoid harsh sun that can bleach or scorch tender leaves.
  • Temperature: Keep above 18°C for steady growth. Cool, wet conditions slow roots and can trigger yellowing.
  • Watering: Water once the upper 25–35% of the pot is dry. The plant dislikes stale moisture around the stem base.
  • Humidity: Moderate to higher humidity supports smoother unfurling, especially while new lobed leaves are expanding.
  • Substrate: Use a barky, open mix with mineral drainage so the root zone dries evenly after watering.
  • Repotting: Move up one pot size when roots fill the container, the mix dries very quickly, or the stem needs a heavier base for support.
  • Feeding: Feed lightly during active growth; steady low-dose nutrition is safer than heavy, irregular feeding.
  • Propagation: Propagate from stem cuttings with at least one node. Sections with aerial roots usually establish faster.
  • Pruning: Cut above a node to shorten a long vine or remove damaged growth. New shoots can develop from viable nodes.
  • Semi-hydroponics: Suitable for mineral or semi-hydro setups if transitioned gradually, with the crown kept above the reservoir line.

Philodendron ‘Golden Violin’ stem and leaf issues

  • Small, simple leaves: Improve filtered light and climbing support. Less divided leaves often reflect growth conditions rather than a problem with the plant.
  • Brown dry areas: Check for direct sun, dry root episodes, or leaves pressing against hot glass.
  • Long gaps between leaves: Usually linked to low light or a vine left unsupported. Move brighter and train the stem upward.
  • Yellowing after watering: Inspect the mix. Fine soil can stay wet around the lower stem even when the surface looks dry.
  • Pests: Check leaf undersides, petioles and new growth for spider mites, thrips or mealybugs, especially if leaves emerge marked or distorted.

Philodendron ‘Golden Violin’ contains irritating calcium oxalate crystals and should be kept away from pets. Sap may irritate sensitive skin during pruning or propagation.

Philodendron ‘Golden Violin’ etymology and description history

The genus name Philodendron comes from Greek roots meaning “tree-loving”. The species epithet bipennifolium refers to the divided leaf shape, and Philodendron bipennifolium was described by Schott in Oesterreichisches Botanisches Wochenblatt in 1855.

Order Philodendron ‘Golden Violin’ online for bright chartreuse leaves and mature violin-shaped blades.

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SKU: 19892155861

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Why read Butler when we have Wittig?
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Reviewed in the United States on June 23, 2015
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Lee Hall
Chelsea, US
★★★★★ 5
Gem from a brilliant thinker.
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This book will forever redefine feminism for its readers. There are two threads: one political, the other literary commentary. Fortunately, Witting pulls the former into the latter. The astute and radical political critique in Wittig's book is uniquely powerful. Wittig addresses the question of how a movement is comprised of both group energy and individual experience. The theory, legacy, and limits of Marx and Engels are discussed. Then, drawing on de Beauvoir and other iconoclasts, Wittig addresses our dominator culture in a way that goes directly to its core. Wittig deals efficiently yet persuasively with the argument over whether nature or culture is responsible for inequality, declaring that "there is no sex." This statement becomes the book's alpha and omega, and the lens through which Wittig shows us history, literature, and the future of activism. Like whiteness, maleness is a social category that can be renounced. Man (Homo) once meant everybody in the human community -- it was indeed generic, in the unifying sense. Unfortunately, the word has so frequently been used to describe a socially constructed group that expels half of itself in order to oppress it, "man" is now identified with those identified as male. In the essay "The Category of Sex" Wittig writes: "The perenniality of the sexes and the perenniality of slaves and masters proceed from the same belief, and, as there are no slaves without masters, there are no women without men. The ideology of sexual difference functions as censorship in our culture by masking, on the grounds of nature, the social opposition between man and women. Masculine/feminine, male/female are the categories which serve to conceal the fact that social differences always belong to an economic, political, ideological order. ...The masters explain and justify the established divisions as a result of natural differences." I understand that Wittig has recently passed away. If only I had discovered this book a little earlier, so that I could have met the author. That feeling, I suppose, is the sign of a truly good read. "A text by a minority author is only successful if it succeeds in making the minority point of view unviersal" writes Wittig --and to read this book from beginning to end is to find that the author has done just that.
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monsieurw1
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Partly still thought-provoking, partly dated
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Dr. Wittig had so much anger, and had such a fight to fight. She seems excessive at times, or as though she is painting with such a broad brush, but writing such as this did win some important battles. No, things are not as dark as her wrath would suggest, or at least not anymore.
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Reviewed in the United States on October 4, 2013

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